FREDERICK EXPERIMENTAL MUSIC ASSOCIATION AUTUMN 2025 CONCERTS
![]() Design by Bodie Dennis, Rumblecroon Studios, Frederick. SATURDAY, OCTOBER 11th Frederick Experimental Music Association will present National Endowment for the Arts Jazz Master Amina Claudine Myers in a solo concert at JBK Theater on the campus of Frederick Community College on Saturday, October 11th at 8pm. This concert is free to the public, but tickets are required. Only 350 tickets are available. This concert has been made possible through a grant from Ausherman Family Foundation, with additional funding from Kate Costlow, John D’Amore, and Anonymous, and with support from Plamondon Hospitality Group. Amina Claudine Myers has been a force in American music for over a half-century. In addition to leading her own ensembles and releasing twelve albums, the keyboardist and singer has performed with a long list of luminaries, including Rahsaan Roland Kirk, Pulitzer Prize winning composer Henry Threadgill, and Charlie Haden’s Liberation Music Orchestra. Of her new, inspiring solo album, Solace of the Mind, Jazz Times proclaimed, “Amina Claudine Myers is speaking quietly – the quietest ever – while holding the heaviest and holiest of sticks.” An early member of Chicago’s famed Association for the Advancement of Creative Musicians, Myers was a member of several ensembles led by Lester Bowie, including his Quintet and his New York Organ Ensemble. But it was in Bowie’s From the Root to the Source, an ensemble whose repertoire spanned gospel, rhythm and blues, and jazz, that Myers collaborated with singer Fontella Bass. Although she is most widely known for the soul classic “Rescue Me,” Bass made iconic recordings with Art Ensemble of Chicago and Bowie during their marriage, and later became a towering figure in gospel music. For its third annual concert, FEMA’s tribute has expanded to include both Lester Bowie and Fontella Bass. Watch the National Endowment for the Artis Jazz Masters’ short documentary about Amina Claudine Myers here: https://www.youtube.com/watch?v=B1AhnUg-peY For further information, email Bill Shoemaker: admin@pointofdeparture.org
ECHOES ![]() Design by Bodie Dennis, Rumblecroon Studios, Frederick. Frederick Experimental Music Association presents ECHOES ... of the 20th Century ..., a 3-concert series at the Frederick YMCA Arts Center beginning Friday, September 26th. This series features ensembles reflecting the work of such influential composers as Béla Bartók, Herbie Nichols, and Henry Threadgill. The Frederick YMCA Arts Center is located at 115 East Church Street in Frederick, Maryland. There is wheelchair accessibility through the back parking lot entrance. Doors open at 7:30pm for the 8pm concerts. Admission for each concert is $30. Payment can be made by cash at the door or online through Brown Paper Tickets. See link for each concert. ECHOES ... of the 20th Century ... is supported by Plamondon Hospitality Group. For further information, email Bill Shoemaker: admin@pointofdeparture.org
![]() Lucian Ban + Mat Maneri © 2025 Ana Stanciu FRIDAY, SEPTEMBER 26th In addition to acclaimed work in various jazz and chamber music settings, pianist Lucian Ban and violist Mat Maneri have extensively researched the fieldwork of composer Béla Bartók, who documented Romanian folk music through thousands of transcriptions, recordings, and photographs, during the 1910s and ‘20s. Their work has resulted in one of the year’s most highly praised albums, Transylvanian Dance, issued by the prestigious ECM label. Ban and Maneri have transformed melodies that are as old as the hills into music that is lyrical, evocative, and new.
![]() Air Legacy Trio: Hilliard Greene; Marty Ehrlich; Pheeroan ak Laff SATURDAY, NOVEMBER 15th Air was one of the most impactful small groups of the 1970s and ‘80s. Though it is generally recognized as the initial platform for Pulitzer Prize-winning composer Henry Threadgill, Air was renowned for equalizing woodwinds, double bass, and percussion, into a readily identifiable ensemble sound. Air Legacy is a trio with an almost umbilical connection, as percussionist Pheeroan ak Laff joined New Air after the passing of McCall. Rounded out by double bassist Hilliard Greene and saxophonist/clarinetist/flutist Marty Ehrlich, Air Legacy gives new life to a body of work foundational to a towering figure in current American music.
![]() Fay Victor © 2025 Deneka Peniston SATURDAY, DECEMBER 6th Since his death in 1963, Herbie Nichols has become one of the most influential composers in jazz. Although he is best known for “Lady Sings the Blues,” very few of Nichols’ compositions had lyrics. Fay Victor has rectified that with her Herbie Nichols SUNG project, writing lyrics that convey the whimsy, romance, and ever-changing sameness of the blues that permeates Nichols’ mid-century modern music. In a program recently given at Kennedy Center, Victor, whom The New York Times called “a singer with her own brand,” pianist Anthony Coleman, and double bassist Ratzo Harris, transforms the music of a jazz great.
FREDERICK EXPERIMENTAL MUSIC ASSOCIATION PAST CONCERTS
![]() Onilu: Joe Chambers and Kevin Diehl MAY 23rd, 2025 Onilu is an ensemble utilizing the extensive family of drummed and tuned percussion instruments to create beautifully composed and arranged small ensemble music. Contrary to the stereotype of modern percussion ensembles as esoteric or academic pursuits, Onilu – the Yoruba word for drummer – creates music that reaffirms the powerful social and sacred musics made in African diasporic communities and across cultures since the beginning of human time. The members of Onilu are: Joe Chambers is a living legend, the drummer on classic 1960s Blue Note recordings by Wayne Shorter, McCoy Tyner, Andrew Hill, Sam Rivers, and Bobby Hutcherson. In 1970, Chambers became a founding member of Max Roach’s breakthrough percussion ensemble M’Boom, and performed in the large ensemble Charles Mingus assembled for his historic 1971 concert at Lincoln Center’s Philharmonic Hall. Since the mid-1970s, Chambers has focused on recording his own compositions for Blue Note and other labels, developing distinctive voices as a vibraphonist and a pianist, and leading small groups and large ensembles. Kevin Diehl leads the enduring Philadelphia-based Afro-Cuban-Yoruba ensemble Sonic Liberation Front, whose eight CDs have garnered international critical acclaim. Diehl also performs with NEA Jazz Master Marshall Allen’s Ghost Horizons ensemble, and has recorded with other Philadelphia jazz legends like Sunny Murray and Jamaaladeen Tacuma. Diehl is also a priest and an Ilu Bata (keeper of the sacred drums) of the Lucumi (Afro-Cuban-Yoruba) culture, and the founder of the Lucumi Youth Choir.
![]() Anthony Pirog, Devin Gray, Dave Ballou. MARCH 1st, 2025 Devin Gray is a top call drummer in modern jazz circles in New York City and Berlin, Germany. His fresh approach to modern drumming has enabled him to play with many of the world’s great jazz musicians: David Liebman, Sam Rivers, Kris Davis, Angelica Sanchez, and many others. A graduate of Peabody Conservatory, Gray came up in the thriving Baltimore jazz scene, where he first encountered trumpeter Dave Ballou and guitarist Anthony Pirog, both of whom are renowned leaders in their own rights. Together, they create rapid-fire three-way exchanges and virtuosic fireworks, lulling occasionally in vividly colored soundscapes.
![]() Design by Bodie Dennis, Rumblecroon Studios, Frederick. APRIL 19th, 2025 South African harpist Jacqueline Kerrod has performed with everyone from Chamber Music Society of Lincoln Center and NEA Jazz Master Anthony Braxton to Rufus Wainwright and Jane Birkin. She has premiered more than a dozen works written for her by South African composers. In her solo music, Kerrod has made innovative use of electronics. A seasoned improviser, her latest CD with cornetist Taylor Ho Bynum, Simple Ways Such Self, documents their 2023 performance as part of FEMA’s IF: Improvisers Forum series, presented at the Frederick YMCA Arts Center. Joe Morris is one of the more innovative guitarists to emerge in the past 40 years, integrating African, Asian, and Eastern European influences into a singular vocabulary. Appearing on nearly 200 recordings playing guitar or double bass, Morris has been on the faculty of the New England Conservatory of Music since 2000. He is the author of Perpetual Frontier: The Properties of Free Music, published in 2012.
MARCH 29th, 2025 Terry Jenoure is a polymath, a violinist, a vocalist, a visual artist working in a variety of media, a scholar documenting African American performing artists in academia, and an educator specializing in diversifying arts education in public schools. A member of the ensemble that recorded John Carter’s epochal Roots and Folklore: Episodes in the Development of American Folk Music in the 1980s, Dr. Jenoure’s own music frequently draws upon the life experiences of her parents and grandparents, a family with Jamaican and Puerto Rican roots. Over the years, the duo with Angelica Sanchez has become central to Jenoure’s music. The Arizona-born pianist has collaborated with iconic figures like Wadada Leo Smith, recorded albums praised by, among others, National Public Radio and The New York Times, and received numerous awards and fellowships in the US and Europe.
FEBRUARY 22nd, 2025 Violinist and violaist Jason Kao Hwang has been a leader in the integration of American and Asian music since the 1990s, when his Far East Side Band included Chinese American, Korean American, Japanese American, and African American instrumentalists. In addition to composing for his renowned ensembles – including Human Rites, Critical Response, and Burning Bridge – Hwang has written extended works like The Floating Box: A Story in Chinatown, one of the Opera News’ Top Ten Opera Recordings of 2005. Hwang is the recipient of many grants and fellowships from such esteemed bodies as the National Endowment for the Arts, Meet the Composer, and the Rockefeller Foundation. Before coming to the US in the early 2000s, pipa player Sun Li was a member of the Central Song and Dance Ensemble of Beijing, performing traditional Chinese music internationally. Since 2002, she has performed with the New York-based Music from China, garnering acclaim for her “virtuosic and colorful” music by The New York Times. She has been a soloist with several US orchestras, performed with Jason Kao Hwang at new music festivals throughout North America, and given recitals at Lincoln Center, the Staunton Music Festival, and other prestigious classical music festivals.
![]() DECEMBER 6th, 2024 Familiar to Frederick audiences from his performances at the Weinberg Center and New Spire Arts, pianist Lafayette Gilchrist returned in duo with his longtime colleague, tenor saxophonist Gregory Thompkins. The pianist NPR called “an old soul, at ease in the modern world,” Gilchrist has an encyclopedic knowledge of the jazz piano tradition, and can invoke the spirits of Ellington, Monk, and others at any moment. The Music Director of the Baltimore Jazz Education Project, Thompkins has absorbed the tenor tradition from Coleman Hawkins onward to creative ends. After years of working together in Gilchrist’s New Volcanoes and other settings, this was their first duo concert. NOVEMBER 2nd, 2024 Artist Lili Maya and composer James Rouvelle have paired original music and video art in live performance internationally since 2009. Maya, a longtime faculty member of the Maryland Institute College of Art, and Rouvelle, a Julliard-trained composer, create performances that integrate traditional and emerging media in a way that permits improvisation both visually and musically through a set of organized sections that are arranged in real time. Maya’s room-sized screens and Rouvelle’s sound system create an immersible environment of vivid images and sounds. OCTOBER 18th, 2024 An internationally recognized pioneer in the art of live processing – taking the sounds produced in real time by his collaborators, transforming them with advanced software, and mixing them into evolving improvisations – Sam Pluta moved to Baltimore several years ago to become the chair of the electronic music department at the Peabody Institute. Baltimore native John Dierker is a mainstay of the city’s creative music scene, his tenor saxophone and clarinets being a core ingredient to the avant-funk of Lafayette Gilchrist’s New Volcanoes, and beyond-category ensembles like Microkingdom and Quartet Offensive. This was the duo’s first concert outside of Baltimore.
OCTOBER 4th, 2024
![]() Russ Lossing SEPTEMBER 21st, 2024 New York City-based pianist, composer, and improviser, Russ Lossing has been at the forefront of creative jazz for over 30 years. Since the early 1990s, Lossing has performed internationally at major jazz clubs and festivals, and has recorded 23 albums as a leader for labels in the US and Europe. Lossing is also known for his longtime association with master drummer Paul Motian. The press in the US and Europe have praised Russ Lossing. Downbeat Magazine proclaimed that “Lossing shines as brightly as any of the jazz pioneers who preceded him in mapping out their own musical journeys.” The Village Voice lauded Lossing as a “gripping improviser, pulling ideas out of the air and nudging them into the action at hand as if they always belonged there.” Jazzman, France’s respected jazz magazine, delved into how Lossing “illuminates the silence, suspends the time, and intensifies the collective flux. The wealth of his harmonic knowledge, the fluidity of his phrasing and his attention to the weight of every single note creates a sound palette for endless pleasures.’ Lossing was joined by veteran drummer Billy Mintz, and trombonist Samuel Blaser.
![]() Angelica Sanchez MAY 10th, 2024 Pianist/Composer/Educator Angelica Sanchez moved to New York from Arizona in 1994. Since moving to the East Coast Sanchez has collaborated with such notable artists as Wadada Leo Smith, Paul Motian, and Richard Davis, among others. Sanchez leads numerous groups, the most recent being her Trio with Michael Formanek and Billy Hart and her Nonet. Her music has been recognized in national and international publications including Jazz Times, The New York Times, and The Chicago Tribune. She was also the 2008 recipient of a French/American Chamber Music America grant, the 2011 Rockefeller Brothers Pocantico artist residency, and the 2021 Civitella Ranieri Fellowship, Italy. Sanchez’s recordings have won critical praise since Sanchez’s debut solo CD A Little House was featured on NPR’s Weekend Edition. More recently, her piano duo How to Turn the Moon with Marilyn Crispell was voted as one of the top 50 best recordings in the 2020 NPR critics poll. Sparkle Beings, featuring her trio with Michael Formanek and Billy Hart, was chosen by The New York Times as one of the top ten Jazz recordings of 2022. And the recently issued Night Creatures, the debut album of her Nonet, was enthusiastically reviewed by NPR’s Kevin Whitehead. Angelica Sanchez has a Masters Degree in Arranging from William Paterson University. She is currently on faculty at Bard College.
![]() Matthew Shipp APRIL 13th, 2024 Matthew Shipp possesses a unique style that is entirely his own, one of the few pianists in jazz that can say so. Down Beat cited Shipp as a “musician who deserves a place of choice in the jazz piano pantheon … he is the connection between this past, present and future for jazz heads of all ages.” The Wall Street Journal stated that “Shipp has helped define, with uncommon distinction, a fresh range of possibilities for contemporary pianism grounded in jazz tradition - raise complex questions and yet invites listeners in.” With his unique and recognizable style, pianist Matthew Shipp worked and recorded vigorously from the late '80s onward, creating music in which free jazz and modern classical intertwined. He first became well known in the early ‘90s as the pianist in the David S. Ware Quartet, and soon began leading his own dates -- most often including Ware bandmate and leading bassist William Parker, and recording a number of duets with the legendary Roscoe Mitchell, who later performed with Shipp’s trio at a historic 1997 Carnegie Hall concert. After establishing a new trajectory in chamber jazz through a series of recordings for the Swiss, Hat Hut label, Shipp was the curator and director of the acclaimed "Blue Series" of recordings issued on the Thirsty Ear label in the 2000s, a body of work that set a benchmark for 21st Century jazz. Shipp has continued to be a prolific recording artist, leading or co-leading nearly 100 titles, and counting. Shipp maintains a vigorous performance schedule, regularly performing at major jazz festivals throughout North America and Europe.
![]() Alexander Hawkins MARCH 16th, 2024 Alexander Hawkins is an Oxford UK-based composer, pianist, organist, and bandleader. Working in a vast array of creative contexts, he seeks to reconcile both a love of free improvisation and a fascination with composition and structure. His writing has been said to represent “a fundamental reassertion of composition within improvised music,” and his voice one of the “most vividly distinctive ... in modern jazz.” As a pianist, he has been praised for “possessing staggering technical ability and a fecund imagination as both player and composer.” Brian Morton, co-author of The Penguin Guide to Jazz, calls Hawkins “the most interesting Hammond [organ] player of the last decade and more.” In addition to his solo concerts, Hawkins performs in duos with Nicole Mitchell, Evan Parker, and Tomeka Reid. His trio, quartet co-led with vocalist Elaine Mitchener, and larger ensembles receive enthusiastic reviews throughout Europe. Togetherness Music, released in January 2021, has been called a masterpiece that stands next to the best works of Roscoe Mitchell and Anthony Braxton. In 2012, he was chosen as a member of the first edition of the London Symphony Orchestra’s “Soundhub” program for young composers. He has been widely commissioned by the likes of the BBC, and has performed festivals in Berlin, Chicago, and London and venues such as the South Bank Centre and the Pierre Boulez Saal. He was named “Instrumentalist of the Year” in the 2016 Parliamentary Jazz Awards. In 2018, he was elected a fellow of the Civitella Ranieri. Hawkins’ concert was his first on the East Coast.
![]() Trevor Watts and Jamie Harris OCTOBER 26th, 2023 Trevor Watts is a globally recognized jazz and world music pioneer. In the 1960s, the English saxophonist permanently expanded the parameters of jazz, co-founding Spontaneous Music Ensemble and leading the equally groundbreaking Amalgam. In the early 1980s, Watts formed the first of several ensembles under the Moire Music banner, blending rhythms from Africa and Asia with jazz-steeped virtuosity, and performing on six continents. Now in its third decade, Watts’ duo with percussionist Jamie Harris distills 60 years of Watts’ immersion in diverse music traditions with ear-grabbing themes, infectious grooves, and an uplifting vibe. A rare opportunity not to be missed.
![]() OCTOBER 7th, 2023
![]() Janel & Anthony SEPTEMBER 23rd, 2023 Janel Leppin and Anthony Pirog are stalwarts of the DC new music scene. In addition to their duo, they both play in Janel’s acclaimed Ensemble Volcanic Ash, and other groups. Janel is a conservatory-trained cellist, steeped in North Indian and Persian music, as well as rock and Americana. Anthony studied jazz at Berklee, subsequently exploring the outer limits of sound and tapping the roots of American music. They draw from numerous traditions, using an electronics-laced palette to create beyond-category music that is inviting and robust, teeming with engaging melodies and vivid textures.
![]() Lafayette Gilchrist SEPTEMBER 22nd, 2023 Lafayette Gilchrist returns to Frederick, presenting a solo piano program at New Spire Arts that distills a century of African American music through his unique 21st Century sensibility. Gilchrist creates an exhilarating, kaleidoscopic soundscape with original compositions that draw on Jelly Roll Morton’s Latin tinge, Fats Waller’s stride, Duke Ellington’s elegance, and Thelonious Monk’s quirky swing, as well as funk and go-go rhythms. Lafayette Gilchrist’s solo concerts are an affirmation of soul, swing, and grooves, essentials of American music.
![]() Thumbscrew © 2022 Brian Cohen APRIL 29th, 2023 Celebrate Jazz Appreciation Month with the internationally acclaimed Thumbscrew, featuring guitarist Mary Halvorson, bassist Michael Formanek, and drummer Tomas Fujiwara, “three of jazz’s most dauntless and resourceful artists,” according to NPR. A collaboration with New Spire Arts and The City of Frederick
![]() Ingrid Laubrock © 2022 Efrain Ribeiro APRIL 1st, 2023 Ingrid Laubrock: Tom Rainey:
![]() Jacqueline Kerrod © 2022 Leonardo Mascaro MARCH 18th, 2023 Taylor Ho Bynum: Jacqueline Kerrod:
![]() Lafayette Gilchrist FEBRUARY 18th, 2023 with Celebrate Black History Month with Lafayette Gilchrist, best known for his music heard on the iconic television series, The Wire. Gilchrist pays homage to Herbie Nichols, a composer overlooked during his too-brief lifetime, but now compared to Duke Ellington and Thelonious Monk. Leading his new sextet, the pianist also performed his own groove-laden compositions. A collaboration with Weinberg Center for the Arts and The City of Frederick
![]() Michael Formanek © 2022 Efrain Ribeiro NOVEMBER 5th, 2022 Michael Formanek: Brian Settles:
![]() Susan Alcorn © 2022 Efrain Ribeiro OCTOBER 15th, 2022 Susan Alcorn: Robert Dick:
Frederick Experimental Music Association, Inc. is a Maryland non-profit corporation. For more information about FEMA and IF, contact Bill Shoemaker at admin@pointofdeparture.org
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